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There were probably 10 songs in all that were recorded but Bunnell stated that both masters were stolen.The post-SAC incarnation broke up before any success was realized.I really like it and think this is a collectable amp that I will gig and record with. ( March 28, 2003) Rate the GA-15 Maestro (two-tone)...14-16W 1x12" Guitar Combo with Reverb Speakers: 1x12" Inputs: 2 2 Channels: 2 Volume Controls: 2 Tone Controls on Each Channel: Bass, treble Tremolo: No Reverb: Yes Tubes: 7 (3x6EU7, 12AU7, 2x6V6, 5Y3) Extension Speaker Jack: No Monitor Jack: No Watts Output: 14-16 Shipping Totals: 1961: 135 Harmony Central Review GA-15R Rate the GA-15RV Maestro (tweed)... Shipping Totals: 1959: 1421 Harmony Central Review GA18 Explorer Rate the GA-18 Explorer (Tweed)...At the same time, organist Lyman Woodard was the musical director for Martha Reeves and The Vandellas (“Heat Wave”) and Melvin Davis was busy cutting 45s of his own as a vocalist on the Groovesville, Fortune and Mala labels and landing a number regional hits including “This Love Was Meant To Be”/“Save It (Never Too Late).” As Coffey's renown as a top funk studio guitarist grew among the movers and shakers of the Detroit music scene, on the recommendation of legendary Motown bass player James Jamerson, producer Norman Whitfield recruited Coffey to play on records he was for Motown.Thus Coffey became established as a “Funk Brother,” a member of one of the world's preeminent studio ensembles, which formed the backbone of countless Motown hit records and which was the subject of the celebrated On Norman Whitfield's productions for Motown, Coffey contributed to the evolving soul and funk sound coming out of Detroit by introducing guitar innovations like fuzz-tone distortion, Echoplex tape delay and wah-wah, previously the exclusive province of rock and roll players.However, according to Bunnell, many SAC songs came from the band he had formed previously with Seol, Bartek, Randy Zacuto, Fred Schwartz and Criss Jay, which performed under the names Waterfyrd Traene (pre-SAC), Public Bubble (during SAC) and Buffington Rhodes (post-SAC).

A former heroin user and lifelong alcoholic who suffered numerous injuries in falls, he also seemed to treat being shot at, pancreatic failure, and a broken neck sustained when his car collided with a bull as occupational hazards.

In April 2003, Martyn's morale was further tested when a burst cyst led to septicaemia and the amputation of his right leg below the knee.

Typically he soldiered on, playing gigs in a wheelchair, and referencing his injury and subsequent weight gain with black humour.

The first and most famous SAC single was "Incense and Peppermints", produced by Frank Slay and initially released by Thee Sixpence on All American Records, owned by Bill Holmes, the band's manager and producer. Weitz and King (also a member of Hunger) were denied songwriting credits by Slay because (according to him) they did not write the melody line or the lyrics, although the song was built on an instrumental by Weitz with a bridge by King. Some early Strawberry Alarm Clock songs were penned by Bunnell with Bartek.

The band was not impressed by songwriter John Carter's singing, so Slay chose Greg Munford, a 16-year-old friend of the band who was from another group called Shapes of Sound, to sing lead on the track. This instrumental was originally intended as a B-side to "The Birdman of Alkatrash", which ultimately became the B-side to "Incense and Peppermints". 1 for one week, with 16 weeks in total on the chart. The latter played flute on the first two SAC albums and would continue to be involved with the band's later incarnations.

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